Man About A Horse + Yarn

Bonfire Presents:

Man About A Horse + Yarn

The Hoppin' Boxcars

Sat, February 3, 2018

Doors: 7:30 pm / Show: 8:30 pm

$10 Advance / $13 Day of Show

This event is 21 and over

Man About A Horse
Man About A Horse
Man About a Horse is a Philadelphia-based bluegrass band with strong ties to the folk music tradition, and a progressive streak that informs their original songwriting. Spanning generational boundaries, Man About a Horse is equally at home picking in the parking lot and performing on stage at some of the nation’s very first bluegrass festivals.

Their highly danceable shows have charmed audiences since their start in 2014, and a steady performing schedule is helping them build a fun and loyal fan base. Man About a Horse has performed at renowned venues for acoustic music, including Jalopy Theatre (New York City), the Tin Angel (Philadelphia), and Albert Music Hall (New Jersey).

The group’s debut recording, “The EP,” was released in March 2015, and has received radio play on both mainstream and bluegrass radio stations around the country, as well as praise from WXPN’s The Key, Rock On Philly, and other reviewers.

Man About a Horse is Roy Matthews (guitar), Justin Stevenson (mandolin), Matt Thomas (bass), and Dan Whitener (banjo).

“Breathing new life into a classic art form.” – Ear to the Ground

“Their high energy and harmony is sure to make you want to dance!“ – Sierra Hull, IBMA-nominated recording artist
Even the most dire circumstance can offer opportunity for new beginnings. Just ask singer/songwriter Blake Christiana or any of the other members of the once Brooklyn based Americana band called Yarn. At least that’s the conclusion they came to after a period of real life challenges that left the band splintered and unsure of their forward trajectory. Internal tensions were simmering. A new album was scrapped. A major move from Brooklyn to North Carolina added to the uncertainty. For a band that seemed forever on the verge of a big breakthrough, the future suddenly seemed cloudy.

“We were dealing with real life issues,” Christiana explains. “Broken relationships, a sense of having to regroup and put some things -- and people -- behind us. That’s what I was writing about lyrically in the new songs and it became kind of a catharsis. Nothing was contrived. We didn’t have to relate to it in the third person. We were living these circumstances, and that gave us the impetus and inspiration to share our sentiments. Ultimately those setbacks and difficulties led to new opportunities and allowed a little light to shine through.”

Christiana’s referring to the band’s album, the boldly optimistic This Is the Year. A seamless blend of vibrant, inspired, back porch melodies and narrative, descriptive lyrics that detail the challenges faced when one’s life is jolted off its bearings, the record documents in detail the band’s determination to move forward while balancing precariously on a line that forms a border between love and hate. It’s an album about re-evaluating relationships, making tough choices and sometimes skirting the rules, a tack that was inspired by musicians they admire -- Waylon and Willie, Merle Haggard and other Texas troubadours with a distinctly renegade reputation.

For Christiana, bassist Rick Bugel, singer guitarist Rod Hohl and drummer Bobby Bonhomme, it meant taking a fresh look at where they were versus what they wanted to accomplish. Bonhomme had recently returned to the fold after an extended absence, while another longtime member was purged. “The tension suddenly dissolved,” Christiana says, giving an audible sigh of relief. “Suddenly we were free to express ourselves without having to look back over our shoulders. This album is our emancipation.”

“I think this album is a stepping stone for us, one we desperately needed,” Bonhomme adds. “It marks a much needed change in direction. The title is appropriate. This is the year, because now we can look forward. This is who we are. For the first time in a very long time we’re not afraid of taking chances. The bond between each of the band members has never been better, and it’s that camaraderie that helped us move forward and created the kind of passion that is evident in this album.”

“This is our best album yet,” Bugel adds. “This is also the happiest the band’s ever been. The chemistry we shared in the studio and on the stage is nothing short of amazing.”

That’s certainly no small accomplishment, especially for a band that spent two years honing their chops during a Monday night residency at the famed Kenny’s Castaway in New York’s Greenwich Village. In effect, it allowed them to rehearse onstage, mostly in front of audiences that often ranged in size from five to fifty people on any given night. Five studio albums followed -- Yarn (2007), Empty Pockets (2008), Come On In (2010), Almost Home (2012) and Shine the Light On (2013). The band then took to the road, playing upwards of 170 shows a year and sharing stages with such superstars as Dwight Yoakam, Charlie Daniels, Marty Stuart, Allison Krauss, Leon Russell, Jim Lauderdale and The Lumineers. They performed at any number of prestigious venues -- Mountain Stage, Daytrotter, the Orange Peel in Asheville, the Fox Theater in Boulder, the 9:30 Club in D.C, South by Southwest, the Strawberry Festival, Rhythm and Roots, Meadowgrass and more, eventually accumulating a total of 1,000 shows, half a million miles and performances in 32 states. They’ve driven nonstop, made countless radio station appearances, driven broken-down RVs and watched as their van caught fire. They’ve paid their dues and then some, looking forward even as they were forced to glance behind.

Indeed, the accolades piled up quickly along the way. They received a Grammy nomination, garnered nods from the Americana Music Association, placed top five on both Radio and Records and the AMA album charts, garnered airplay on Sirius FM, I Tunes, Pandora, CNN, CMT and, and also accorded the “Download of the Day” from Rolling Stone. Shine the Light On found shared song writing credits with John Oates (the Oates of Hall & Oates fame), and when audiences expressed their admiration, it brought the band a populist following of diehard devotees, popularly known as “the Yarmy.”

As odd as that might seem, it’s proof positive that Yarn have made their mark, and in their dealing with emotions, scars and circumstances, they find themselves in a position to share those experiences with others who have sifted through similar sentiments.

In an era of click-bait and sound bites, Yarn provides a real experience. They're not just a live band, they're a band for people who want to live.
The Hoppin' Boxcars
The Hoppin' Boxcars
The Hoppin Boxcar's are an original folk country bluegrass hobo rag tag four piece out of Pennsylvania. This upbeat four piece ensemble is writing their first album and are playing acoustic venues in the Montgomery County Area! Thanks for adding us and we love and appreciate all your support! Bye Yaw!
Venue Information:
1100 Chestnut Street
Philadelphia, PA, 19107